Maximilian Davis continues to explore the stories of liberation told by the 20th Century’s wardrobes. Now, he focuses his gaze on the 1940s and considers its codes through the distinct language he has established at Ferragamo.
Reflecting the period when women entered the workforce, the composed vocabulary of the era’s uniforms and workwear appear distilled to their essence; reduced and refined; reconsidered through a contemporary lens. “It was a period where clothing, and its structure, created a certain posture and propriety: when the placement of pocket would dictate how you would both stand and behave,” explains Davis. “I wanted to take elements of that silhouette and modernise it for today.”
The looks from the collection will be available soon. In the meantime, explore:
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Through this new perspective, high-waisted tailoring, cut close to the body, appears assuredly cinched and double fastened with statement belts, while military pockets are affixed to pencil skirts and outerwear; utility vests tucked beneath suiting; the skirts of trench coats elegantly flared. Fabrications imbue the collection with flashes of fetishism through clinical shades of translucent rubber, leather shirting, or ties rendered in glossy python. Elsewhere, the drapery that has defined Davis’ approach to scarf dressing presents a fluid counterpoint to the defined rigour of the forties silhouette, expressed through ethereal looped silks, leather trains and draped, sequinned gowns.
Off The Runway
“I was inspired by the women of the era who were taking ownership of their own narrative: who were subjects of imagery but also travelled the world to create their own.” - Maximilian Davis
Guests in Ferragamo
Faye Peraya
Nana
Huang Jingyu
Rashida Jones
Iñaki Godoy
Caleb Moore & Kibriyaa Morgan
Heart Evangelista
Tina Kunakey
Kenya Jones Peltz
Amina Muaddi
Ann Carrington
Chase Sui Wonders
Fai Khadra
Fernanda Castillo
Francesco Colella
Graham Campbell
Igby Rigney
Martina Ferragamo & Simone Coppo
Myha'la Herrold
Naomi Osaka
Ruby Lin




















