Piero della Francesca, "Ritratto di Battista Sforza", 1467-72. By permission of the Ministry of Culture – Gallerie degli Uffizi.

Virtues of faith, hope, and charity. Emblems of an enduring commitment. Piero della Francesca’s diptych is a fascinating fusion of Renaissance and Flemish codes, a testament to the evolving canons of artistic expression. The piece is inspired by classical portraits on medals, yielding an iconic diptych that is both timeless and innovative. Battista Sforza exudes an aura of refinement and elegance that resonates with Ferragamo’s dedication to beauty and craftsmanship. Her image serves as a testament to the attention to detail that underpins the brand’s ethos. The painting’s reverse holds a captivating scene of triumphal chariots, echoing the spirit of ancient traditions, and showcases saurian unicorns, symbolizing chastity, and a pelican, the symbol of sacrifice. The interplay between tradition and modernity, history and innovation, forms the heart of the New Renaissance.

Since the dawn of the Renaissance, Florence has pulsed as a crucible where intellectuals, artists, scientists and musicians meld their diverse knowledge.Thanks to the groundbreaking patronage of the Medici, the city transforms into an expansive stage birthing an experimental community. Artist studios and academies, charged with vibrant fervor, emerge as epicenters of creative alchemy. From these Florentine depths rises an eclectic ethos, sculpting novel paradigms of beauty and morality. These same values are the pillars of Ferragamo’s vision whose ethos intertwines with a modern symphony of creatives – from creatives directors and photographers to artists, sound designers, and scholars. Together, they forge a dynamic community, shaping a multifaceted tapestry of contemporary artistry and thought.