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Giorgio Vasari, 1534 – BY PERMISSION OF THE MINISTRY OF CULTURE – Gallerie degli Uffizi.

Fresh, elegant, harmonious. Sandro Botticelli’s brushwork captures the very essence of the early Renaissance—a reawakening of classical beauty, with humanity held in tender reverence. A beauty that places the human form and soulful gaze at the heart of his masterpieces. Amidst the splendor of the Medici court, Botticelli transcribed the rediscovery of ancient values, creating new forms of aesthetic enchantment that act as a testament to human celebration, echoing the ethos that Ferragamo upholds today. The painter investigates human passions, the thoughts behind each placid expression within each portrait. Botticelli’s art is Renaissance oxygen, a new vital breath of timeless beauty.

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Since the dawn of the Renaissance, Florence has pulsed as a crucible where intellectuals, artists, scientists and musicians meld their diverse knowledge.Thanks to the groundbreaking patronage of the Medici, the city transforms into an expansive stage birthing an experimental community. Artist studios and academies, charged with vibrant fervor, emerge as epicenters of creative alchemy. From these Florentine depths rises an eclectic ethos, sculpting novel paradigms of beauty and morality. These same values are the pillars of Ferragamo’s vision whose ethos intertwines with a modern symphony of creatives – from creatives directors and photographers to artists, sound designers, and scholars. Together, they forge a dynamic community, shaping a multifaceted tapestry of contemporary artistry and thought.

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Giorgio Vasari, 1534 – BY PERMISSION OF THE MINISTRY OF CULTURE – Gallerie degli Uffizi.